In the chronicles of drumming history, no two names resonate with more respect than those of Gene Krupa and Buddy Rich. These two musicians literally redefined their instrument and have inspired generations of drummers who still look upon them with a sense of wonder and worship. During their era, big-bands ruled the airways belting out swing, jazz and bebop numbers. At the time, it was the drummer who towered above all other soloists on the bandstand. Krupa and Rich were at the top of the heap, performing magnificent as individuals and divinely when brought together to “battle” one another.
It was during these “drum battles” that one could clearly see the dazzling similarities and differences in the playing styles of the participants. Krupa, clearly a dancer’s drummer, furiously worked the toms, creating a tribal backbeat that was accented with a brilliant use of the splash and cowbell. Rich, a tremendously technical player, played ridiculous rudiments at a speed that was virtually incalculable and incorporated stick tricks that left his peers shaking their heads in disbelief. To watch Krupa and Rich go at it must have been like watching Babe Ruth pitch to himself.
Unfortunately there are only a few of these epic engagements that have been captured either on audio or film. “The Original Drum Battle,” as it came to be known, took place at the kick-off of what was the 12th National Tour of Norman Granz’s Jazz at the Philharmonic. That show took place at Carnegie Hall on September 13, 1952 and has become one of the most revered live recordings ever captured. There are also two meetings of Gene and Buddy on film, both from television shows broadcast in 1966 and 1971.
On November 1, 1956, both drummers went into the studio with a group of JATP All-Stars, recording an LP called “Krupa and Rich.” Strangely, Gene and Buddy only play together on one tune, with the rest of the tracks featuring one drummer or the other. Although there is no recorded documentation, there is evidence that Buddy and Gene continued their drum battles from time-to-time through 1957. In a 1956 radio interview with the Voice of America’s Willis J. Conover, the two drummers spoke of how they felt about the battles, as well as an upcoming JATP show where they were both set to appear. When asked about setting up these challenges, Rich explained the intentional spontaneity of them:
“…they never will be because then it would get kind of stiff, boring kind of thing. I think we get up on the stand every night and we look at each other and you listen to all the comments that come at you from the audience. Naturally, they’re partisan groups and they’re all shouting for their favorites, and we sit down at the drums and we laugh, and some nights Gene’ll start a tempo or other nights I’ll start the tempo. And we just start to play. And some nights it’s great, and other nights it’s laughs, and other nights it’s boring, because that’s what makes-anything that’s spontaneous is a-it’s a free feeling. We get up there and play just exactly what we feel like that particular night. When we play places like Carnegie Hall where the places are sold out we know that the people are listening uh, we play good. We play other places where we don’t think there’s too much interest-rather than listening-I think that people would rather be heard themselves-so we let them scream and we play under them.”
In 1966 Sammy Davis Jr. played host to the mighty two on a broadcast of his ABC television program:
The last, on-camera meeting between Krupa and Rich that we know of took place on October 12, 1971. The occasion was a Canadian television special hosted by their friend and fellow percussionist Lionel Hampton. Rich came out at the very end of the program to participate in a four-way drum duel featuring Hampton, Krupa, Rich and Mel Torme’. After Krupa passed away in 1973, Rich continued to battle other drummers off-and-on until his own death in 1987.
Today, over five decades since Krupa and Rich first took the stage to duel, musicians and music lovers alike are still amazed and invigorated by these incredible performances that have not been duplicated or witnessed since.